FORMS OF PRESENTATION OF THE OLD RUSSIAN CIPHER IN THE STRUCTURE OF THE SLAVIC TEXT OF THE NOVEL TRILOGY OF V. YANG

ON THE QUESTIONS OF SEMANTICS OF THE EXTERNAL APPEARANCE OF HAJI RAHIM

The Image of the Horse (“Oriental Centaur”) as the Embodiment of the National Picture of the World in the Prose of V. Ian

History – Literature – Art: Unknown Pages of the Life and Work of Russian-speaking Writers and Artists of Uzbekistan (in the Light of the Cultural Conceptual Approach)